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Novice Writer
Join Date: Jul 2010
Location: USA
Posts: 24
Points: 30
Times Thanked: 12
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Originally Posted by the_knockon_effect
Okay, there is no real title to this story, I'll get one eventually. I called it "Collaberation" simply because its one I'm working on with my friend. He's not much of a writer but has a wild imagination, so we figured we'd combine our efforts to make something. This is chapter one. Critiques would be welcome and appreciated.
Basically set in a giant futuristic mega-city. Enjoy.
CHAPTER 1
The rotted wooden door of the room caved inward with a splintering crack, sending pieces of broken timber soaring away in all directions. Great first sentence. I don't think anyone wouldn't want to know what this is all about A slender form hurtled through the resulting explosion, hitting the floor of the deserted room and rolling smoothly upright into a run. Leaping, the girl sprinted over the top of the long audience table, her long I think a synonym for "long" should be used here or before, because you've used them too close together and it sounds repetitive light hair streaming out behind her I feel like the first "her" isn't needed here. Just saying "long light hair..." would suffice here and would sound less repetitive, though it's not necessary. Reaching the end of the table comma here she made a second, powerful leap, no comma here and tilted backwards in mid flight, angling the heels of her well used boots towards the glass of the high window. Both feet connected With what? with shocking force, smashing the pane to shards andYou need a new sentence here. Get rid of "and" and add a period she flew through the aperture, out of the room, into space, dropping down almost twenty feet to land on a bulky pipe that protruded from the side of the building.
Opal paused for a moment to regain her breath, crouching on the broad curving surface of the pipeline. She glanced back up at the shattered window for any signs of pursuit, but it appeared she had given her adversaries the slip, at least for the time-being. Taking a breath comma here she set off, following the carefully memorised set of instructions to the letter and dashing along the pipe to around half its length This is kind of an awkward phrase. I'm wasn't exactly sure what you're trying to say here when I read it the first time. I read it as saying "to the letter and the dashing of..." instead of a new action. Maybe a change in "to the letter" would clear it up? I don't know, but I would try rewording it and using different words to clear it up. I'm also not sure what you meant by dashing along the pipe to "around half its length" half the length of what?, before hopping sideways, dropping down onto another. This last phrase was a little confusing. I'm guessing Opal is the one dropping, but what's with the "onto another"? Maybe I'm just slow, but I'm not really following here, and I feel like instead of a comma you replace it with "and" to make it flow better. Landing flawlessly you need a comma after all of these phrases that explain the subject in the phrase after: landing carefully, she... trying to do whatever, she... always follow this phrase by a comma before starting the complete sentence she followed the second pipe to the end, where its bulky structure lay bent like a broken limb, drooping down towards the distant streets. She slid down the slope of the wrecked pipe and at the last moment, to make the sentence flow better, I'd add a "she" right here and take out the comma after legs bunched her legs, and jumped. Loving the description so far. It's not too much but definitely there and I can get a good sense of the scene happening.
Reaching out comma she caught I don't think caught is the right word here. Maybe something like "grabbed onto" or grasped, caught sounds more like something was thrown to her the side of the window pane of the opposite building with a gasp, You don't need a comma here, because the preceding sentence isn't a complete one and then yanked herself up onto the side of the construction in a single fluid motion. This window was already smashed a comma should go here because the next sentence is complete, but I also think that "and" should be "so" because she jumps right in as a result of it already being broken and she dove inside, hitting the ground in a roll before springing to her feet again. Her boots pounded the dusty wooden floorboards as she ran, out into the main corridor comma here to end the interrupting thought and turned sharply to the left. She darted through the crumbling hallway until she reached the door to the stairwell, and without breaking stride comma here she smacked the door open, nearly tearing it from its hinges in the process.
Rather than using the stairs conventionally "conventionally using the stairs" flows a lot better, she took a tight grip on the handrail with both hands and began vaulting, no comma here because you're still in the same thought over and over again with awesome speed, descending floor by floor until she landed at the entrance to the hotel’s car park. Still comma her blistering pace did not slow as she tore through the door and out into the deserted concrete expanse, her eyes locked on the fire exit in the far corner of the dimly lit chamber.
She skidded to a halt at last when she reached the heavy metal door, checking that the tightly strapped backpack she was wearing, and its precious contents, were undamaged by the trip. Satisfied, she pushed the bar of the exit and the door opened with a dull clunk of protest, exposing Opal to the blaring light of the city once more I believe "again" would be more appropriate than "more", because saying once more would mean that only one more time would she do this, but once again means it happened again.
The outer district of the colossal urban behemoth that spanned hundreds of miles displayed an ominous and neglected exterior that spoke of long lost grandeur. Towering buildings that had once been expensive hotels or political powerhouses now stood as mournful whitewashed tombs, sarcophagi of days long forgotten. Just want to say, this is a very good job of using some unusual words but not sounding too wordy or forced, but I wouldn't use too many big words, because it might turn off a few of your readers. It definitely makes your writing sound more mature when added in there here and there, but too frequently using words that no one really hears of could get annoying for people with not as an expansive vocabulary as you. It's not like you have to use a 3 year old vocabulary, but don't spice it up so much allll of the time, especially not so much in one sentence. Just some advice. The streets lay in ruins, their old tarmac surfaces cracked and pitted by years and years of disregard. Piles of rubble and smaller demolished buildings lay where they had fallen, any plans of replacement or repair long since abandoned, and boarded up structures dotted the streets as a depressing reminder of different times.
Yet still the streets of the outskirts thronged with life.
There were millions of people inhabiting the outer regions no comma needed here who were content to ignore and be ignored by the grandiose splendour of the inner city, a place separated from its chaotic counterpart by a gigantic ring wall of truly epic proportions. The aristocrats and the bureaucrats ran the prosperous inner district, backed up not only by the regular military police, but by the power of the Mechanised Weapons Division, or MWD. This infamous organisation constructed what were essentially robots, Instead of a comma here, try "that were" built specifically for the arena of combat and protected the inner city with an iron fist.
By stark contrast there was virtually no policing in the outskirts. Firearms were easy to obtain comma and as a result comma hundreds of gangs had risen into power, being so well armed they were virtually private militaries as opposed to street fighters. A perpetual civil war raged every day in the outer regions, but the people struggled on and had even begun to thrive in the harsh new world.
Opal jogged between the masses of people that clogged up the pavements with practiced ease, running through the next set of instructions in her mind. She still had several streets of potentially hostile territory to cover before she could consider herself safe, and the package she was transporting was of the utmost value. She neatly sidestepped a woman pushing a pram and hopped up over the bonnet of a parked car, her destination the only thing in mind. Darting across the broad street comma she dodged the steady cloying flow of traffic and made it to the corner of the next road.
With a curse comma Opal back peddled frantically and dived into the nearest shadowed area between two crumbling buildings. She crouched down in a cat-like stance, watching the street intently, her senses tingling. A few seconds later comma the cause of her alarm trundled ponderously around the bend, smoke belching from its roof exhausts and wild whoops and roars emanating from its interior. It was, in essence, a tank.
The bulky vehicle was around six to eight meters in length no comma here, next sentence isn't complete and was covered with a rusted armour plating that had been bolted on haphazardly, no comma necessary here like a patchwork carpet. The windows had been replaced by a protective metal mesh that was reinforced against weapons fire I know what you're saying here but I'm not sure it gets the message across. "weapons fire" supposed to be possessive? Or just meaning that it's guarded by people holding weapons who will shoot if they see someone trying to sneak in? It just confused me a little. Across the bonnet the words Seek and Destroy! had been scrawled messily in white paint. Gun barrels protruded from the smaller gaps in the sides of the machines machine's armour comma here, preceding sentence is complete and on the roof a pintle mounted cannon had been positioned. The figure manning the main cannon was waving his fists frantically in the air and shrieking as the hulking vehicle forced any other traffic out of the way.
From her is it really her alleyway or the alleyway in which she's watching from not really making it her alleyway per se? It might be better to describe the alleyway adifferent way to avoid confusion alleyway comma here Opal watched grimly and ground her teeth together until they hurt. She continued staring at the tank until it was eventually lost from sight, then she waited until the roar of its engine faded away. Exhaling the long breath she’d been holdingcomma Opal stepped back out onto the street corner and glanced down the opposite direction, spotting the steely bulk of the vehicle in the distance. Shaking her head comma she turned and continued on her way.
She darted across the road, dodging traffic as she made a beeline for a tiny dark alley that was blocked off by a mesh fence. Her pace increased as she approached it until she was running flat out. Are you trying to say until she was just completely just running? I guess I'm just not familiar with the term 'flat out' but it sounds a little odd here. Maybe full out instead? With a bound comma she kicked off the wall of the alleyway, giving her the added height she needed to grab the top bar of the fence with both hands. In the same motion comma after a prepositional phrase she vaulted over the fence and hit the ground running on the other side.
As she wound her way through the back alleys that paralleled the main street comma after prep phrase Opal began to gradually relax no comma before a prep phrase as she entered the familiar surroundings of her home neighbourhood. The number of thick grey pipelines increased as she entered what had once been a vast industrial factory district, semicolon here instead of comma to further explain the place the location of her home. It was sunken into a crater like crater-like, dash always needed when adding like to a word to better describe it, if you know what I mean depression in the ground, and some buildings were I think the word "even" should be added here to show even more of a depression than already described totally submerged beneath a sea of rubble and rocks. Most of the old factories were interconnected by the network of pipes that resembled a massive web from above comma here for the complete sentence following "and" and the hulking central structure of the estate was the headquarters of the gang. I also feel though that this previous sentence should be by itself because it expresses more of a different idea, not really an addition to the previous phrase, if you know what I mean, and the next sentence should be connected to the previous one They used the massive pipe network to move around their domain undetected.
Opal emerged from between a pair of smaller factories out into the expanse of the industrial estate comma here her pace now having slowed to an easy jog. With practiced ease comma she slithered down a rocky embankment if you use the word "which" it must always precede a comma. "That" doesn't need a comma before it, but which does, to be grammatically correct. which might have been the side of a building once, and landed on the remains of a thin road. She turned right and continued until she spotted a figure waving lazily, no comma from the entrance of one of the pipes that was protruding from the wall of the crater. A smile flashed across her face comma here and she sped up.
She dug her feet into the rubble at the base of the embankment side and began clambering up towards the mouth of the pipe, and To make the sentence flow better I'd rather you change "and" to "as well as" the thin individual waiting. As she drew close enough comma the man reached out one hand and helped her up into the perch, where she let out a long sigh of relief and leaned against the side of the construction.
“Fun trip?” Pixie enquired with a thin smile. She eyed him balefully.
“As advertised,” she answered, flexing one shoulder and wincing slightly. “Pipelines, windows and stairs; I had to go like a damn jackrabbit.” The man raised an eyebrow then stood up, hefting the long barrelled sniper rifle clutched in his hands.
“C’mon,” he began, his face dropping back into a bland impassive stare. “Everybody’s waiting, you got the stuff?”
“Of course I do,” Opal answered irately. “Think I’d do a damn run through the plaza and come back empty handed?” Her companion shrugged and set off into the darkness of the pipe’s interior, pulling a flashlight from the back of his belt. Brushing dirt and grit from her clothes comma Opal shook her head at the figure before setting off in pursuit.
The pair could probably have navigated through the tunnels without the light, but Opal was glad of the illumination nonetheless. semicolon here instead of a period She knew the pipe network inside and out just like everyone else who lived in the industrial district – it was a necessity – but she was a little claustrophobic. They twisted and turned dozens of times over a route that no outsider would have been able to navigate, through pipes of varying width and elevation until they spotted a well lit exit that signified one thing. Home.
The home of the street gang was built inside a massive disused factory that was situated at the rough centre of the pipe network, with half its structure sunken into ground over the years, I'd rethink including this, because you already made these two points perfectly clear earlier in the chapter. If anything only touch on it for a moment, don't re-explain the home being at the center and being sunken in, or else take it out of its previous place in the text while the other half protruded nearly one hundred meters from the sea of rocks and debris. Dozens of corridors and rooms radiated from a colossal central chamber that was a cube-like shape, lined with gantries, stairwells and balconies. Walkways were suspended inside the main space, constructed of latticeworks of steel plating and This sentence is a big run on. Take out "And" and make the next phrase its own sentence, or get rid of "and" and "they" and make connected "connecting" they connected the various living quarters and defensive emplacements that filled the walls of the atrium.
The pair descended down one of the many gridiron stairwells towards the base of the main hall where they could see the rest of the group waiting. Some were eating; get rid of the semicolon here and change it to a comma and write "others were playing" others playing cards and comma one man was practicing on a makeshift firing range with a rifle, though for the benefit of the others Why is it a benefit to others? he had attached a suppressor to the weapon. The idle buzz of conversation floated up to Pixie and Opal as they drew closer. A few minutes later comma they reached the floor where the rest of the group had assembled.
The gang numbered ten members in all, semicolon instead of comma to explain the gang members a loose association of individuals without a single leader, like a small democracy. Their number was small compared to most of the bands that roamed the streets comma but the secrecy of their factory hideout coupled with their aptitude for guerrilla tactics ensured their survival.
The massive individual that had been practicing at the firing range was called Fridge either add a comma here or add a semicolon and take out "and he was" and he was the enforcer of the group; a hard nosed, streetwise veteran with his hair chopped into a close military crop. He stood a towering six feet, six inches tall, with a barrel chest and tree trunk arms. His imposing physique was balanced against proficiency with firearms and his no-nonsense attitude made him a valuable asset to the group. Loooving this description. Perfect. Standing beside him, leaning against a supporting strut with her arms folded, was Jezzie, semicolon here a red haired, tomboyish girl with a fiery persona; This should be a new sentence. It's ranging on the long side and talking about a new person, so it deserves its own sentence. Take away and and you'll be good. and next to her stood the seventeen year old Dusty, a young engineering progeny.
The others of the group were spread in a rough semi-circle: Walnut semicolon a wisecracking ex-policeman who sported a bionic lower left arm, a girl named Echo who was the logistics expert of the group, and Eden, semicolon the gang’s diminutive acting medic and newest member. Standing slightly apart from the rest comma the tall comma sombre Dawn eyed proceedings silently. She was a motherly individual who had taken Dusty under her wing after his parents had been killed, following a vicious shootout I think this should be reworded to clear up whether you're talking about how Dawn was following a vicious shootout or Dusty's parents has been, and she was for all intents and purposes his big sister. Pixie, the man who had met Opal at the pipecomma was her whose? State their name here to avoid confusion brother; a quiet, introverted individual, a vegetarian and a pacifist at heart. He was frequently morose and had a knack for aggravating the rest of the company with his scruples. However comma these were small disadvantages when compared to his incredible marksmanship, semicolon instead of comma a shady skill that had saved their lives several times during the many street fights the group had grafted through.
Opal walked straight up to the last member of the group and kissed him, wrapping her arms lightly around his shoulders.
“You alright?” Rou asked immediately, checking her for injury as she pulled away, pushing her hair to one side with a gentle movement of one hand. Opal laughed and kissed him again.
“Just a few scrapes,” she answered comma resting her head on his shoulder for a moment. The pair had been together for almost three years now comma and I don't think and is the right conjunction here. Try "though" or "but" for contrast he was still always worrying, no comma every time she took an operation on her own.
Releasing her hold on Rou comma she turned to the rest of the group with a thin smile playing on her lips. She pulled the rucksack from her back and held one hand poised over the zip.
“Ladies and gentlemen, enjoy.” She grinned and opened the bag, revealing a transparent container that was packed with large shining red apples. The eyes of the group lit up and Dusty darted eagerly forward. Opal laughed as the young engineer pulled the container from the bag and yanked the lid off, rounding on the rest of the gang and holding offering Pick either holding or offering the apples out. With the state of the outskirts of the cityA comma here, and I think you should replace "with" with something like "Because of" It makes more sense in the sentence, flows better fresh fruit was a rare commodity, I'd get rid of the comma and write "that was" instead highly sought after and exspensive to obtain. The company didn’t hesitate comma and within a few seconds the sounds of crunching filled the air.
“The genuine article,” Echo grinned, tossing an apple up in the air and catching it. “We owe you one.”
“Mmmhmm,” Walnut smiled around a mouthful of fruit. “Good price for that crate I’d say, eh?” He nudged Fridge with his bionic elbow. The bigger man eyed him dangerously before taking a huge, ponderous bite out of his own apple. Walnut smirked and raised an eyebrow, returning to demolishing his.
Part 2 -> http://www.youngwritersonline.net/showthread.php?t=5535
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Okay so honestly, this is wonderful. I love your writing style and you've really got a unique plot going. It was very interesting to read and I absolutely love the characters already. The dialogue was great. The description was also excellent, though as I mentioned before, be sure not to use too many unique words or else it will ruin the wonderful effect of mature writing you have by putting in more uncommon words here and there. Make sure not to overdo it.
Your only big problem seems to be with you comma use. Make sure you pay attention to the places I told you you needed commas and imprint in your mind why they should be there. A main place you missed them was after prepositional phrases. Just take a look at this and you should be set for next time.
But honestly, other than the other few punctuation errors, this is a great start to a story. I really love it, and that;s saying a lot considering these aren't really the type that I read. It's also a good thing considering the amount of red that isn't in this critique. I almost feel like I'm losing my touch I actually might have to read it over again soon, just because I was kind of caught up fixing the commas that I wasn't paying attention to other things, but nothing stood out enough to grab my attention in the midst of correcting. So great job, and I'll have to get around to chapter two ASAP as well 
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